Skip to content Skip to sidebar Skip to footer

Walt Disney the Art of Home on the Range Book

Standard Logos Logo Variations Trailer Variations Impress Logos

Credits

Logo captures past
AussieTechBlits, Hb1290, and SuperMax124

Editions by
Weirdsuperherodiffs

These are the logo variations seen throughout the years by Walt Disney Pictures, with more to be added overtime.

A Goofy Motion-picture show (1995):

  • The logo goes away, but the blueish properties remains. The opening titles and the first scene of the film and so appear over the logo's backdrop.

Pocahontas (1995):

  • The writing of the bend-line is delayed for a few seconds to maintain the logo in time with the opening music.

Toy Story (1995):

  • The outset film to utilise the unique Pixar variant of the 1985-2006 logo, which had previously been used until 2007's Ratatouille. After the logo is done, it zooms out and transitions into the opening titles. The 2006 Walt Disney Pictures logo and the Pixar Animation Studios logo were added on newer prints starting in 2009, with the latter fading in to the opening scene.

That Darn Cat! (1997):

  • Cats meow to the melody of the logo's fanfare.

Meet the Deedles (1998):

  • The logo transitions into an undersea movie.

I'll Be Habitation for Christmas (1998):

  • As soon as the curving line is created, Christmas lights appear and wink continuously all over it.

Tarzan (1999):

  • The background transforms into a toon shaded jungle equally the burst of light produces the "Walt Disney" text.

Inspector Gadget (1999) and Inspector Gadget 2 (2003, DTV):

  • The castle is in CGI and mechanized, while the white curving line is replaced with a gear. The castle then falls autonomously in a flurry of cartoon audio effects. The soundtrack in the first film is a parody of "When You lot Wish Upon A Star." The music fades out equally the castle goes wild, and a gear flies toward the screen as the opening titles brainstorm. The 1985 fanfare is utilized in the 2d film, along with various sound furnishings equally the castle is demolished, and it also zooms out.

My Favorite Martian (1999):

  • Information technology gradually fades into Mars. It as well freezes for a few seconds before drawing the curved line.

Fantasia 2000 (2000):

  • Opening: Aforementioned equally the Tarzan variant, but the groundwork fades into space.
  • Closing: The arc disappears into the altitude. Information technology'due south also heard at the stop of The Emperor's New Groove, nonetheless in a shorter class with the closing theme.

Recess: School'southward Out (2001):

  • The logo plays out as normal, but the flash that reveals "Walt Disney" also ends upward covering the entire castle and dies downward to reveal Gus, Mikey, Gretchen, Spinelli, Vince, and TJ continuing on top of the castle. Equally the logo continues ordinarily, they play the 2d one-half of the fanfare on kazoos.

Atlantis: The Lost Empire (2001):

  • Opening: The lights reflected past the river ripples reveal the already-formed emblem (with an extra flag on the rightmost spire) on a rusted-steel wall. Inside the curving line, a flash of light arcs. The camera pans frontwards slightly.
  • Closing: Nigh the same as the opening variant, but information technology is already formed and the background is well-lit (signifying Atlantis' resurrection to onetime splendor), as the camera still zooms forward slightly.

The Country Bears (2002):

  • The logo plays as usual, but once it'due south finished, it is prepare confronting a wood background. A spark of fire travels all the way to the lesser right.

Return to Never Land (2002):

  • The opening sequence is part of the prologue. Pixie dust falls from the curving line as it animates. The curving line is drawn by a yellow glowing ball (representing Tinker Bell), which then flies effectually and within the gate, revealing the hazy texture in the backdrop. It then zooms out to the left and reveals itself to be on a cloud. The camera then moves around and the logo vanishes as the film begins.

Snow Dogs (2002):

  • The logo starts usually. Once the curved line is fatigued, it becomes ice and begins to snow.

Cinderella Ii: Dreams Come True (2002, DTV):

  • We begin with the blue background. Then, at the very lesser, a four-pointed star rises upwardly, splits, and explodes similar fireworks, showing a section of the 1985 Disney castle. The terminal ane rises and bursts, revealing the whole castle. The "Walt Disney" signature then writes itself as the residual of the logo continues to play ordinarily. For the initial shot, the letters and arc fade abroad, and the castle dissolves into Cinderella's castle.

Lilo & Sew together (2002):

  • The logo is on a black backdrop in CGI, and the flash that forms the curving line is at present greenish with a "pulsing" sound effect. After and so, it gets taken past a UFO beam.
  • On "Stitch's Trial", the original opening from the dwelling house media release, the logo is white on a grayness backdrop, and the foreign linguistic communication writing fades in and out earlier transitioning to English language. Afterward the rest of the animation is completed, information technology fades into the opening scene.

Winnie The Pooh: A Very Merry Pooh Year (2002):

  • While the text "Walt Disney" is formed, snowflakes brainstorm to autumn across the logo.

The Jungle Book 2 (2003):

  • Information technology is superimposed in front of a piece of cloth behind a blue light equally the logo fully animates and weaves the scrap until information technology fades and the color changes.

Piglet'south Big Movie (2003):

  • Information technology animates normally (with the beginning of the opening music playing over it), except the arc is pink instead of white, like Piglet.

Freaky Friday (2003):

  • It animates ordinarily, then fades into an aged parchment canvas, moving into the opening credits sequence of the film.

Stitch! The Movie (2003, DTV):

  • The background fades to infinite every bit the arc forms, causing the castle and words to Television receiver static out.

The Lizzie McGuire Moving-picture show (2003):

  • Opening: The castle zooms in quickly in parts, followed past messages arriving from the left (one after the other). The logo then begins to flash blue and cherry, like to police force lights, while police sirens can exist heard in the groundwork. The curving line design is bluish, and afterward the logo is completed, it vanishes, and the logo itself travels to the correct.
  • Endmost: Same as the opening variant, but it is already formed with the flashing blueish and blood-red lights gone, and it fades away when the curving line is formed.

101 Dalmatians II: Patch'south London Adventure (2003, DTV):

  • Dogs bark in response to the logo's fanfare.

George of the Jungle 2 (2003, DTV):

  • Subsequently it has been formed, George swings around the screen and collides with the castle, causing information technology to collapse.

The Haunted Mansion (2003):

  • While gloomy clouds obscure the writing, the castle transforms into a mansion.

Teacher's Pet (2004):

  • Information technology is animated in the same manner every bit the film. Information technology pans to the bottom-left corner once the logo is washed. As well seen at the finish of the picture without the panning.

Lorenzo (2004):

  • Information technology is made out of vivid neon signs. It is too animated in the same manner as neon signs are. The arc is timed to the male conductor'south animation. As the conductor counts, one of the arc segments flickers.

Domicile on the Range (2004):

  • Opening: The virtually-formed logo is branded onto a piece of leather. Then the arc fires in and the leather burns up to reveal the opening shot.
  • Closing: On the brown groundwork used for the credits, the logo fades in.

Mickey'south Twice Upon a Christmas (2004, DTV):

  • In the mode of the motion picture, information technology is white with a tinge of red over a red Christmas ornament on a Christmas tree. In the opening, a lilliputian stylised Christmas tree appears within the castle earlier disappearing as "Walt Disney" flashes in.

Pooh's Heffalump Motion-picture show (2005):

  • It animates commonly. The castle and so dissolves into a cloud formation as the backdrop and letters fade to a hazy heaven and the camera pans down.

Lilo & Run up 2: Stitch has a Glitch (2005, DTV):

  • It encounters a glitch, only like a computer would do. Also, the castle segments become backwards at the starting time, starting from the lesser segment of the castle appearing and more segments appear i-past-i until the pinnacle segment appears and and so, the top segment flashes like a neuralyzer.

Water ice Princess (2005):

  • The "flashlight" logo is bluish with ice coming out of the curved line.

Sky High (2005):

  • The "flashlight" logo fades into a silhouette of the Disney castle as seen in the skyline.

Chicken Little (2005):

  • Opening: A fairytale castle with many towers and a portcullis floats in a clear blue sky. The text drifts in beneath information technology, and a shooting star inscribes an arc above the castle.
  • Closing: The logo animates as usual, but the background is blackness instead of blue.

Tarzan II (2005, DTV):

  • Exactly like on Tarzan, but the jungle is more detailed and different.

Brother Bear II (2006, DTV):

  • Birds fly out from the castle.

Bambi 2 (2006, DTV):

  • It is white and superimposed in the mist. Then after it forms, the mist covers it up.

Leroy & Run up (2006, DTV):

  • When the arc forms, the groundwork fades to space, but like in Stitch! The Movie. After that, the logo goes into hyperdrive.

The Shaggy Canis familiaris (2006):

  • The castle turns into a doghouse (both at the showtime and end of the motion-picture show).

The Wild (2006):

  • In the darkness, the particle makes its usual way above the castle (which is surrounded past acacia trees.) while Samson the king of beasts (voiceover) is virtually to tell his son Ryan a story. All of a sudden, equally Ryan tells Samson he'south already heard his story a billion times, it stops and rushes dorsum. So equally the chat repeats, it tries once more, makes 2/three of the distance, and rushes back again. Next time, the conversation occurs again and the particle is drawn back by a hand. For the fourth time, the particle (and thus, Samson) finally succeeds, and the logo turns into the sun. The text is in 3-D and made of rock.

Pirates of the Carribean: Dead Man's Chest (2006):

  • The offset motion-picture show with the current Disney logo. The logo plays usually all the time, except that it is dimmed.

The Santa Clause 3: The Escape Clause (2006):

  • When it fully forms, the camera zooms out to reveal a snow earth surrounding it that Santa holds. He then shakes the snow globe, which causes snowfall to environment the castle. Also, when the snow globe appears, the music is slowed down to friction match the opening theme.

The Fox and the Hound 2 (2006):

  • The last picture show with the Disney logo from 2002-2006 (and the entire logo from 1985-2006). Afterwards the logo is done, it fades into the cloudy heaven.

Enchanted (2007):

  • The sparkles that surround the text disappear as the last note of the music hits. Then, as the opening music starts, the photographic camera zooms forward past the text to the castle into a room in the top middle of it.

Presto (2008):

  • We see the castle on a ruby textured groundwork as an homage to the quondam Disney cartoons. Information technology reads "Walt Disney Pictures Presents" underneath, with the "Walt Disney" text taken from the Walt Disney Blitheness Studios logo.

Bedtime Stories (2008):

  • When the music ends, the entire animation stops and the sparkles disappear, then information technology turns into a pop-upward volume.

Beverly Hills Chihuahua (2008):

  • When the music ends, the logo turns into a diamond shape and moves into the opening title.

High School Musical 3: Senior Year (2008):

  • When the final v notes are playing, a lite appears at the fashion of the glowing pinpoint, and then information technology morphs into a lightbulb surging into the opening title sequence.

Race to Witch Mountain (2009):

  • The logo gets darkened when the text fades in and the castle turns into the mountain from the Witch Mountain films.

Tron: Legacy (2010):

  • Opening: The logo is gradually formed by graphics like those plant in the Filigree. This was fabricated by Prologue.
  • Endmost: Same as opening, just the logo is already formed.

Mars Needs Moms (2011):

  • It animates as normal, simply the sky turns red when the arc is fatigued.

Prom (2011):

  • It starts normally, just when the glowing pinpoint reaches the end, information technology of a sudden turns into a photo tinted in yellow, and so a pencil drawing of a castle on a dissever canvas newspaper covers the original castle and a newspaper cut-out of the text "Walt Disney" from the 1990 logo pasted onto it. The music also turns into a rock version when information technology transforms.

Pirates of the Caribbean: On Stranger Tides (2011):

  • The flick's opening theme is heard. The dark blueish fog comes in from the left to fill the screen as the animation (which is tinted in dark blueish) fades in at the camera panning down (you still see the glimpse of the stars as it fades in.) On the castle, the Jolly Roger flag is at the highest spire. The fireworks are in a white tint while sounds of firing cannons are heard. In the river in front of the castle, two mermaids flip their tails before the text fades in as information technology zooms to position.

John Carter (2012):

  • Opening: The unabridged logo is tinted scarlet (in accordance with the fact that the flick is attack Mars).
  • Closing: Same equally the opening, but information technology starts at the arc being formed.

Frankenweenie (2012):

  • The logo starts equally usual (with an re-orchestrated version of the music by Danny Elfman). Near the end of the logo, it turns blackness-and-white, while lightning starts hitting equally some organ music plays. A moon is as well shown and there is some fog around the river in front of the castle, while a rainstorm occurs.

Paperman (2012 brusque, Endmost):

  • It is grayscaled but like the short, "Disney" is written in chalk, the castle is stylized like the short, and the curved line is drawn by a paper plane.

Wreck-It Ralph (2012, Closing):

  • The closing logo starts as usual, just it and so glitches as errors appear with "RALPH" misspelled as "RALF". Then, it turns into a parody of the Pac-Man impale screen. The 1985 logo is briefly seen, merely with the "Disney" text amongst other remnants similar the Walt Disney Animation Studios logo and other characters seen in the film as sprites. It ends with an arcade screen turn-off effect.

Oz the Dandy and Powerful (2013):

  • Information technology is grayscaled, in an fine art-deco style, in a 4:3 aspect ratio (like the beginning few minutes of the film), and it is part of the opening credits. The logo starts at the summit of the sky (different to original logo) with animated stars, then it pans down to the cardboard castle. Other elements (similar the river and heaven) are drawn on the ground and wall and "Disney" is fabricated upwards of two connected sticks with the messages on them (with "Dis" on the left stick and "ney" on the correct stick). While the glowing pinpoint appears without passing the front of the castle, the photographic camera zooms into the door of the castle, and the "Disney" text opens like a gate. This variant was done past yU+co.

The Lone Ranger (2013):

  • Opening: The entire logo is tinted grayness-blue (keeping in with the 1940s Western moving-picture show color).
  • Closing: Same as the opening, but information technology starts at the arc beingness formed.

Planes (2013):

  • It doesn't commencement afterwards a few seconds, the movie's opening theme/dialogue is heard with the fireworks sounds intact, and the "Disney" text is in glass, colored in white, and zooms in. When it finishes, the sparkles around the text disappears. Then, the aviation alert calorie-free appears on the highest tower of the castle. Later on ane full rotation of light, the tallest spire has added a blinking red calorie-free and two planes from the moving picture fly past the logo towards the screen, cut into the film's opening shot.

Saving Mr. Banks (2013):

  • On a blue sunburst groundwork, the castle (equally seen in the 1985 logo) in white zooms out as the arc is fatigued with a bright low-cal, also every bit the text ''Walt Disney'' (in a similar manner to Walt's own signature) and ''PRESENTS'' below. Some copyright info fades in below, including the stacked byline ''WALT DISNEY PRODUCTIONS ALL RIGHTS RESERVED'', a certificate number, a logo for Disney Sound Recording, a notice reading ''DISTRIBUTED BY WALT DISNEY PICTURES'', and a copyright date for ''MMXIII" (2013).

Frozen (2013):

  • The opening theme plays over the logo and it doesn't begin after a few seconds.

Become a Horse! (2013 short, Closing):

  • It is grayscaled and filmed in 70mm, with "Disney" written in an older-looking signature font with an underline. Clarabelle Cow is seen leaping over the castle and leaves backside the trail of pixie dust... well, we Promise it's pixie dust.

Million Dollar Arm (2014):

  • The logo (particularly the heaven) is tinted dark purple.

Maleficent (2014):

  • It starts as normal with the usual kingdom, only the castle is replaced with King Stefan's castle (with the textures from the 2006 castle), and the front side is entirely unlike. "Disney" is in silver with sparkles effectually it. It then changes into daytime, every bit the narrator starts the story while the photographic camera starts zooming past the word and through the castle to reveal the kingdom which in the movie and the horizontal line of the original logo becomes the Kingdom of the Moors.

Feast (2014 short, Closing):

  • The logo is decorated on a plate, and the homo from the preceding brusk squirts ketchup onto the plate, creating the arc over the castle.

Into the Woods (2014):

  • Opening: Sound furnishings accompany the logo's fanfare on this variation. It fades from black (similar to the On Stranger Tides variant, simply without the fog). It is darkened and the fireworks are absent. The glowing pinpoint fades in, moving every bit usual, arcs over the castle becoming the moon and the sparkles disappeared early. The camera backs upward to some leafless trees (hence the title of the moving picture) as "Disney" without the sparkles fades in. This variant was washed past yU+co.
  • Closing: Aforementioned as the opening, but it starts at the arc being formed, omits the trees and moon, and is a bit darker.

Frozen Fever (2015 brusque, Closing):

  • One of the tiny snowmen (from the preceding brusk) is standing on the right, and leaps over the castle from right to left, leaving a trail in the shape of the usual arc.

Cinderella (2015):

  • In the last few seconds when the word "Disney" zooms in to create a 3D illusion, the entire logo transitions to daytime, with the castle similar to the one found at Magic Kingdom at Walt Disney Earth, Orlando, Florida, USA. Then, the camera pans upwards to follow ii blue birds to the opening.

Tomorrowland (2015):

  • The castle is replaced with Tomorrowland's buildings and structures and the glowing pinpoint is replaced by an out of control flying motorcar.

The Jungle Volume (2016):

  • The logo is reanimated traditionally except it takes place in Disneyland, Anaheim, California, U.s.a. and the music is rearranged by John Debney. The give-and-take "Disney" is in orange. When the word "Presents" (in the aforementioned style as the opening credits of the 1967 film) fades in under "Disney", the music segues into the rearranged version of "Jungle Beat out" equally information technology zooms out into the realistic jungle for the opening title as it darkens out.

Alice Through the Looking Glass (2016):

  • After a few seconds when "Disney" fades in, the camera pans upwards away from the logo to the dark sky.

The Finest Hours (2016):

  • Opening: The logo is sepia-toned.
  • Closing: Same as the opening, simply it starts at the arc beingness formed.

Inner Workings (2016 short, Closing):

  • The camera pans right from the end of the closing credits to a sunset beach rendition of the logo with the castle made out of sand. "Disney" in white fades in at the bottom as the last role of the short's song "California Loco" plays.

Beauty and the Beast (2017):

  • The music begins a second earlier the logo begins. Like the Into the Woods variant, information technology fades in as the photographic camera pans down. It is set in France, complete with the town of Villeneuve and The Prince's Castle (with the lights on, meaning that the masquerade party begins in the following prologue), although the river has the usual shape. The sky is an extremely night nighttime sky, and the fireworks explode in yellow. The glowing pinpoint is different and arcs equally usual with a unlike trail. "Disney" fades in the aforementioned fourth dimension as the front sparkles around it. When the music ends, the text & sparkles fade out and the photographic camera pans back a picayune flake more to the bush of the red enchanted roses. The Enchantress' hand picks the middle rose upward and she moves to one of the petals of the rose, transitioning into the prologue. An open-matte variant of this logo exists on likely Television receiver airings of the movie.

Pirates of the Caribbean: Dead Men Tell No Tales (2017):

  • The logo is tinted dark bluish, with storm clouds and real thunder added to the sky and the fireworks, glowing pinpoint and the front sparkles are all absent. "Disney", in the manner of the Maleficent variant, fades in.

The Concluding Warrior (2017; Russian federation), The Final Warrior: Root of Evil (2020; Russia) and The Last Warrior: Messenger of Darkness (2021; Russia):

  • The logo animates as usual merely the front side and flag are different, with an entirely dissimilar entrance & the water is still. As the glowing pinpoint moves, a house with chicken legs (Baba Yaga'southward business firm) leaps from the right side, jumps over the river & the lands on the other side. The house looks at usa briefly before leaving. The sparkles that surround "Disney" are absent-minded.

Coco (2017):

  • The logo plays as normal, but the firework sounds are absent, and the fanfare is washed in a Mariachi manner, with bongos, a guitar, violins, a small choir, trumpets, and a xylophone.

A Wrinkle in Fourth dimension (2018):

  • The logo plays as usual. After the music ends, the logo suddenly reverses colors with a wormhole consequence. Later, the background is the milky way of stars which moves like a kaleidoscope with the top part of the castle in which the castle itself (which glows in blue) starts deforming. The front returns to normal, but "Disney" is in copper orange and becomes the aforementioned size as the 16:9 logo, which fades in. After a couple seconds, the logo wormholes again then suddenly cuts to the motion picture's opening shot.

Incredibles 2 (2018):

  • An entirely different fanfare is used, by Michael Giacchino. The entire logo is reanimated in 2D and is in the style of the 60's, in a carmine/yellowish scheme. The main star twinkles in, while the rest of the stars and the groundwork fade in. The camera pans down to Metroville, the fictional urban center in the world of The Incredibles. The castle has a blinking light at its tallest spire and in that location are no fireworks. From the right side of the castle, the glowing pinpoint moves from behind and arcs over the castle. The yellow "Disney" text simply fades in without any sparkles. When it fades out, the castle's archway shows the "2 I's" symbol (the film's official symbol), which also fades out shortly. The theme continues into the logo for Pixar, which has dissimilar sound furnishings.

Christopher Robin (2018):

  • The logo starts as usual, but when the camera goes around the castle, the kingdom fades to an aged paper groundwork to blend into the prologue, as the castle & fireworks deliquesce into traditional animation (styled after the book serial illustrations of Eastward.H. Shepard). The glowing pinpoint makes a dissimilar audio. The sparkles around "Disney" (in black) is absent, equally the sparkles from above the castle transform into twinkling stars, which disappear afterward a couple seconds. The logo fades out and is replaced with the in-credit logo as the camera zooms slightly forrard. The book pages turn to encompass up and the photographic camera pans correct to beginning the prologue sequence of the opening credits.

The Nutcracker and the Four Realms (2018):

  • The logo is darkened, with the fireworks sounds intact, and the music rearranged by composer James Newton Howard and conducted by Gustavo Dudamel with pianist Lang Lang on the piano. The "Disney" text is slightly brighter than usual. When the music is finished, Drosselmeyer'southward owl comes in by swooping downward from the sky above the left side of the castle. The "Disney" text with sparkles fades out, and the camera turns left to follow the owl into a snowy setting of Victorian-era London at sunset for the pic, establishing the opening shot.

Ralph Breaks the Internet (2018, Closing):

  • The closing logo animates as usual, with the vocal "Never Gonna Requite You Upwards" by Rick Astley, which was known in the internet as "Rickroll", fading out and Ralph talking over it. At the last second, it very abruptly cuts to the previous installment's closing logo variation every bit the screen turns off.

Mary Poppins Returns (2018):

  • It starts normal, but is tinted in dark blueish (similar to On Stranger Tides and Into the Woods variants). When the camera pans around the castle, diverse London landmarks can be seen. As the music ends, the camera backs up onto a road with lampposts, and several trees are on the grass.

Aladdin (2019):

  • The logo plays equally normal (with "Disney" zooming in). When the final note plays, a calorie-free from the star at the left side of the castle brightens up to cover the unabridged logo, as the text becomes a shadow. When the calorie-free fades out, the castle becomes a large ship which has most the same shape as the castle, and the text's shadow fades out.

Toy Story 4 (2019):

  • The 30-2d version of "Operation Pull Toy" is used as a fanfare. Equanimous and conducted by Randy Newman.

The Lion Rex (2019):

  • Same every bit the version seen on The Jungle Volume (2016), just the word "Presents" underneath "Disney" is removed, the camera stops at the last notes, and the word "Disney" being yet when it fades in. The music is complete without a transitional swerve, this fourth dimension by Hans Zimmer, and the logo fades out once it'due south done.

Maleficent: Mistress of Evil (2019):

  • The standard castle is used here instead. Once the logo is complete, the camera pans up to the right-superlative corner, transitioning into the opening scene.

Lady and the Tramp (2019, Disney+):

  • The logo'southward music is rearranged in the flick's 1950s jazz music style, and the logo starts a few seconds after the music starts. When the glowing pinpoint near ends, the entire logo becomes sepia-toned.

Noelle (2019, Disney+):

  • The logo starts commonly, just is slightly darkened. When the "Disney" text fades in, information technology starts snowing. Besides, the text is slightly transparent. Afterward the music ends, the text and sparkles fade out, then the photographic camera goes in a reverse motility of the original logo, and Santa Claus' sleigh flies past the photographic camera. After the camera moves across the flag on the highest spire, the entire kingdom changes to the North Pole.

The Wonderful Earth Of Disney: The Little Mermaid Alive! (2019)

  • The logo starts normally, merely the "Disney" text does not fade in. Instead, Tinkerbell comes onto the screen and taps her wand on the castle, transitioning to the beginning of the special equally she flies off.

The I and Only Ivan (2020, Disney+)

  • The logo plays normally, only subsequently the music ends, it fades into a foggy glass window, with the castle as the texture on the window. After the onscreen text "Inspired by a true story" disappears, the window (with the castle's texture still on information technology) has been cleaned past Ivan, segueing to the showtime of the picture show.

Mulan (2020):

  • The logo starts normally, but afterwards information technology pans down from the night heaven, we see a drastically dissimilar groundwork scenery that expect similar the farmlands seen in Prc. The castle has been changed to the one seen at Shanghai Disneyland (the Enchanted Storybook Castle). The "Disney" text is also in a vivid gold colour. The phoenix seen in the film flies and draws the arc before it fades out. This variant would be re-animated for China releases of Disney films starting in 2021 and to commemorate Shanghai Disneyland's fifth ceremony, but using the normal scenery from the standard logo. Just like the regular logo, yU+co and Weta Digital created both variants. On yU+co's website, the lighting is slightly different.

Once Upon a Snowman (2020, Disney+)

  • The castle and backdrop is covered in snowfall. Snow slopes are also seen on both sides, the river is now water ice and the Disney text is blue and too covered in snow. After a 2nd of the normal logo on screen, Olaf can be seen skiing on the right side, he then jumps up the slope and shouts "SKILL!" whilst forming the arc over the castle. He then lands on the slope on the left side and skis off screen.

Soul (2020, Disney+):

  • The logo plays as normal, but the fanfare is played in an off-fundamental jazz style by Joe's band class, with a 4-beat out drum intro, noisy trumpets, squalling saxophones, and a tailgate trombone, ending with a crash of symbols. The firework sounds are removed again.

Flora & Ulysses (2021, Disney+)

  • Afterwards the logo is complete, it then turns into a comic book design, which so transitions to unlike comic book pages, segueing into the beginning of the moving-picture show. Additionally, the logo pre-comic transition uses brighter colors like to the 2006-2011 variant, but with the Disney text instead.

Us Once more (2021 brusque, Closing)

  • The logo is placed on a neon sign, with the castle being pink, the "Disney" text existence yellow and the arc being green. The castle'due south design is similar to the 1985 logo.

Cruella (2021)

  • The logo is entirely in blackness-and-white, the sky is replaced with storm clouds with thunder brewing overhead while the London city is seen at the top of the river, and the Disney text is in a ruddy red color. When the flag is revealed, Cruella can be heard laughing VERY quietly in the groundwork.

Jungle Cruise (2021)

  • The "Cypher Else Matters" song is playing as the background music on the logo instead of the fanfare, the castle lights are brighter, the river has a dissimilar texture, the clouds in the logo are deleted, and the "Disney" text is already formed while that and the arc are both a little college than they should be. Subsequently a few seconds, the camera zooms down to the river under the water, starting the opening scene. This is the first and only picture show to use the enhanced version of the logo, as starting with Encanto the normal version restarted usage.

Cheaper by the Dozen (2022):

  • The castle fades into a multi-colored drawing of itself surrounded by some pictures, transitioning into the opening credits.

evenwiging.blogspot.com

Source: https://closinglogosgroup.miraheze.org/wiki/Logo_Variations_-_Walt_Disney_Pictures

Postar um comentário for "Walt Disney the Art of Home on the Range Book"